West of Blanefield, off the West Highland Way . . .
If you look North across the fields . . .
You’ll see a path through the grass and sheep’s-bit scabious . . .
. . . which leads to a field margin, marked by a line of blasted oaks.
Adjacent, to the West, is the irregular wooded dome of Dumgoyach, and North is Dumgoyne, the volcanic mound that dominates the landscape of the Blane and Endrick valleys.
And if you look down into the valley, you’ll see Duntreath Castle.
Cross into the field and the ground rises and flattens to reveal . . .
. . . these stones.
Four of the five original stones are now recumbent, and the last one standing is a little shorter than me. Analyses of burnt flint and charcoal found at the site dates the structure to 3650 BC, in the middle Neolithic. Aligned with a notch in the hills to the North East, through which the sun rises at the Spring and Autumn equinoxes, this structure is thought to be a short stone row (used to measure solar events), but it has also been suggested that the long cairns are what remains of the facade of a chambered tomb.* The early date, and the proximity of other chambered cairns in this area makes the latter argument reasonably likely, but I am rather tempted to get up to watch the sun rise at Dumgoyach on September 22nd to make my own astronomical observation.
(what do you think, Bruce? Row or tomb? Tomb, or row?)
*The first interpretation belongs to E.W. Mackie who carbon-dated the site in 1972, and the latter to Aubrey Burl, From Carnac to Callanish: Prehistoric Stone Rows of Britain, Ireland and Brittany (1993). See also the RCAHMS site record.
Thanks so much for all your wonderful boiler-suit / coverall / onesie-related comments on the last post. That kind of collective discussion is probably what I love most about blogging, and it makes me particularly excited when the discussion concerns the different meanings and usages of a garment. If you haven’t had a look at the comments already, I encourage you to go and read them.
Last week I finished decorating the bathroom, bedroom, and new studio. Yesterday I painted the downstairs chimney breast, and today we hung the over-mantle mirror. For weeks the house has felt like a sort of giant jigsaw puzzle and it is extremely exciting to see the bigger picture finally emerging. But, having been engaged upon this project for a couple of weeks now, I would say that it is without a doubt the most physically challenging thing I’ve done post-stroke. This is not only due to the relentlessness of the stretching, bending, and movement painting involves, but also to my poor balance and generally wonky left leg. I have to take a two hour snooze in the middle of the day to keep going, and there have been a few dicey moments as I teetered over the bath or tripped on a dust sheet. That said, happily, the closest I’ve got to disaster is getting paint in my mouth and hair. Ick. Anyway, I shall be painting downstairs on half-days only next week, and, now the studio is habitable I can at last get back to some knitting, designing, and email-answering.
Most of the swallows have gone, which is rather sad, but I recently put food in the hanging feeders on the porch and have been astounded by the variety of bird-buddies that are dropping by. More of them anon.