Here is another yoke — this one’s name is self-explanatory — Foxglove.
One of the things I’ve really enjoyed about my first year of rural living has been the wildflowers that grow around my home. Just a few yards from my front door are a wide variety of environments from heathland, bog and lochside to deciduous woodland and roadside hedgerows. Walking through this landscape every day, I have found it fascinating to observe the wildflowers emerging, coming into bloom, taking over the landscape, and falling away to seed. Back in the spring, I began keeping a record of the wildflowers I spotted on my daily walks (mostly within a 4 mile radius of my home) by recording a photograph on Instagram. (If you are interested, you can find that series of pictures under the hashtag #todayswildflower). I found that the simple act of taking a photograph of a plant, and later looking it up in my reference guides meant that, by the end of the summer, I had learned a reasonable amount about local wildflower habitats, the time of their flowering, their relationship to other plant varieties and so on. I discovered some wonderful plants I’d never seen or noticed before – grass of Parnassus, scarlet pimpernell, butterwort. I also learned to look anew at flowers I thought I knew reasonably well – such as foxgloves.
I love their pink spires, their sheeny blooms, their downy leaves, their beautiful variegated interiors, the surprising deep beetroot purple of their stems. I knew I wanted to knit the foxgloves up into a yoke, and really enjoyed developing my chart for this design.
Foxglove is the only design in the collection to use three colours in one row. (I have a neat trick for this, borrowed from Elizabeth Zimmermann, which the pattern describes in full).
This yoke is in the Shetland style. It is knit in the round and steeked; the garment has some shaping after the arms are joined, and the yoke pattern itself is relatively shallow, and placed high up on the neck. That said, in my experience the necklines of many Shetland yokes have a tendency to ride rather too high – this one shouldn’t, and is intended to sit quite neatly at the throat.
As you can see, by the time I’d actually managed to knit my sample, summer was turning into autumn, and it was no longer foxglove season.
But we managed to take these photographs among some Rose Bay Willowherb which were going to seed, and which seemed to provide an appropriate local wildflower backdrop
The yarn I’ve used is, of course, Jamieson and Smith jumperweight – the perfect yarn for a Shetland-style yoke.
I have another yoke in this collection which was also inspired by a Scottish wildflower. More about that one tomorrow.