One of my favourite things about designing is that, after completing my work on a pattern, I get to see it afresh through the eyes of other knitters who gravitate to different colourways. I love these changes in perspective and often I see a design quite differently when a creative knitter simply reverses the shade values of the original. I knit my Ringle, for example, in quite a solid blue with neutral stripes through the yoke, but Karine really freshened things up in her reversey version, featuring stripes of darker blue across a really pleasing pale tweed shade with dark blue flecks. Karine reversed the pattern instructions, too, by knitting her pullover top down.
I’m often drawn to blues, and I think Jennifer’s recently completed Land o’Cakes – so very different from the autumnal oaty vibe of the cardigan I’m wearing in the pattern photos – is truly glorious.
I designed Balmaha in blue, and Jane’s beautifully knitted sweater uses a Milarrochy Tweed blue too – but she chose the teal-y green-toned blue of Ardlui rather than the Tarbet I used for my original. Swapping out the pattern’s brownish shades for a brighter green (stockiemuir) and pink (campion) really lifts the yoke, and takes the design to a completely different place.
A pattern I’ve particularly enjoyed seeing differently in recent months is Tonnach. I spent a long time swatching and playing around with different shade combinations when designing this cardigan, and found that the sheer variety of effects one might achieve over a simple chevron pattern was highly absorbing and fascinating. Clearly other knitters find it fascinating too, and their versions of this design often really startle me with their freshness.
The blended ochre tones of Taylor‘s Tonnach just about kill me.
Taylor brought together a range of different 4ply yarns when knitting up her cardigan: Jamieson & Smith and Jamiesons; Rauma Finullgarn and her own Shetland handspun. I particularly love that pop of tomato soup orange lent by J&S shade 125. Yum!
Dee’s Tonnach is very different, but certainly no less appealing.
Using a palette inspired by her own oil painting of a Somerset landscape (pop over to her project page to see it!) , Dee has achieved an effect that’s really soft and subtle while still maintaining contrast between the pattern’s chevron stripes. I particularly like the way that Milarrochy Tweed shades Smirr and Stockiemuir work together in Dee’s cardigan.
I gasped out loud when I saw the palette that Sarah had chosen for her Brilliant Corners hat. It was so cheerful! So springlike! So definitively floral!
Sarah mixed up stashed oddments of Rowan fine tweed with Milarrochy Tweed and I love the effect of all these shades together.
I’m a big fan of a less-is-more approach to design, and often find I’m able to hone my ideas for a pattern simply by taking elements away. Liz took most of the colours away when knitting her Wedgwood shieling blanket to really great effect.
I find Liz’s almost monochrome take on what is a rather colourful design very calming and very pleasing indeed. Rendered like this, with the motifs picked out in inky blue, the blanket really calls nineteenth-century printing techniques and patterns to my mind, such as those which featured in my Walter Crane post yesterday.
Sophia’s favourite colour is chartreuse, and she recently knit up a Carbeth cardigan in her favourite shade of Knit Picks City Tweed. This is the first cardigan she’s ever knitted and it looks wonderful – congratulations, Sophia!
And while we are exploring green palettes, I love Lauren’s gorgeously green Port Charlotte. Like many of us, Lauren is missing the Hebrides – hopefully she’ll get to wear her Port Charlotte in Port Charlotte before too long.
Finally, this last project is not knitted in a different colourway – in fact, Aoife used exactly the same yarn and colourway as the original pattern – but transformed it into a completely different garment by removing the steek stitches and shaping . . . and knitting a pullover instead.
I love Aoife’s Epistrophy pullover!
Huge thanks to the amazing knitters featured in today’s post for all the colour and inspiration!
The fact that your patterns translate so well into different colourways without losing their essence, is testament to great design x
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Du does love a bit of 125!! 🍅
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These are lovely color varistions
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Thank you for posting all these lovely colorful variations! Such a treasure trove of inspiration!
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All these variations are SO MUCH FUN!!! wow… and to think that one of them could almost kill you, Kate, the master.. makes me laugh and encourages me too…. thank you always for all you send out to us… Susan
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It is fascinating to see how each woman chose yarns and knitted them in such a way that they coordinated with their skin tones and hair coloring.
Yesterday’s post on William Crane intrigued me as it tied so many of my interests together. I studied children’s literature for many, many years and still do. William Crane’s historical illustration’s definitely was a step away from viewing children as miniature adults as they had been seen as for quite a long time. I am also interested in women’s rights and the development of unions which he also was involved in. He also was a friend of Morris whose first name I can’t remember, maybe it is William. Anyway, William Morris fabrics and wallpaper has always intrigued me. I don’t know if it has always been popular or not. At any rate it seems to be popular now. William Crane seems to have been a Renaissance man, before his time. Thank you for this post. Posts such as these must take so much to produce.
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This blew much needed fresh breath on the dim embers of my knitting mojo!!
Thank you to all the wonderful knitted who contributed to this post.
Cheers
Karin
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That was a treat, so unexpected to see the same jumpers in such different colourways. Boggles the mind, in a good way! YEA
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I feel as though you *just* posted Land o’Cakes (although I see it was really in March)…nevertheless, some of your fans are knitting fiends, to have finished a whole colorwork pullover in the time it usually takes me to choose a color and find that fourth missing #3 DPN that has fallen down the back of the sofa. What do you do, may I ask, with all of your swatches when a project like Tonnach is published? Keep then for future reference? Unravel for use in the project, or a future project?
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I keep them! There’s a huge batch here.
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“. . .time it usually takes me to choose a color and find that fourth missing #3 DPN. . .” HAHAHAHAHAHAHAHAHAHAHAHAHAHAHA! I am not alone!
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Absolutely love all of these, well done everyone. And thank you for your page each day Kate, every day is different and keeps me company in my isolation.
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Love the color variety! I always start my day with a cup of coffee and this website. Would love a kit of Dee’s sweater . Her painting — just what I needed this morning!
Susie (Florida)
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These posts are always an absolute treat – both to see the wonderful work of other knitters and also further insights into your design process. My queue is now longer, and I have new ideas on how I might use colour to use up more of my stash yarn. Thank you!
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These are so inspiring! All the different colourways, and then the two-colour Shieling blanket which I would never have thought of.
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You inspire us all!! Thank you so much, Kate!
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