Carbeth: slavery in the landscape

Here, at Carbeth, we live in a landscape underwritten by many rich and complex human stories. Neolithic people lived and travelled through Carbeth many thousand of years ago and, since these early settlers, this landscape has many stories of passage to tell, from seventeenth-century cattle drovers, to nineteenth-century railway navvies, to the walkers on today’s…

Read More

dressing up . . . 1970s style

I’ve been suffering with a migraine, and am still feeling very ropey, so thought I’d just follow on from yesterday’s post about masks and performance, with a few images (and words) about my childhood – in which costume and dressing up played a significant role – and which Pilar is now drawing on in the…

Read More

the mask’s on you

Jaguar and Tiger, Chilapa, 2017. Phyllis Galembo, Mexico: Masks, Rituals (2019) This is the fifth in my series of posts about my participation in an Applied Arts Scotland / British Council Crafting Futures residency, the work I’m developing as a consequence, and the impact of the project on my own practice. You can read parts…

Read More

SHEDS one and two

Hello, it is I, Bruce. Today I am here to tell you about SHED. If you don’t know the meaning of SHED, I can reveal it is a strange wooden place with a distinctive smell in which humans like to spend a lot of time, particularly at this time of year. Here there are two…

Read More

journal pages

I’m at that stage of developing a group of designs where I seem to be recording a lot of ideas and sketches in my journal. As I was working on something today, I looked back over a few of the spreads with ideas for the designs I’ve recently published – like the Yorlin one above.…

Read More

kodak portra 160

Hello everyone. Tom here with a post about my new favourite colour film, Kodak Portra 160. What I find really exciting about the discipline of photography is that despite the advancement of technologies available, access to old techniques remains, meaning that the rich and complex history of photography continues to be available for us to…

Read More

rows 1, 5, 9 or 15

There are things involved with developing and writing a knitting pattern which you rarely get to see. This is one of those things. Yorlin is knitted top down. This means you can work your cardigan to exactly the length that you’d like, so that it suits your body. The design features two lace panels, using…

Read More

Yorlin

Good morning! When I sketched this yellow cardigan in my notebook towards the beginning of the year, it was with the thought that I might get to wear it, with a favourite dress, at the wedding of my friends, Briony and Will. Like many couples in similar situations, Will and Briony have had to change…

Read More

Crafting Futures: meaningful collaboration

This post is the fourth in my series about my Applied Arts Scotland / Crafting Futures residency, the work I’m developing as a consequence, and the impact of the experience on my practice. Here are links to parts one, two and three. During the Crafting Futures residency, I was paired up with my collaboration partner…

Read More

bluebells . . . and buttons

Good morning! Wow! I really enjoyed your myriad button views! It was fascinating to read through all your comments and I really appreciated hearing so many different perspectives! But it was especially intriguing to me that the blue buttons came out so far on top. I kind of agree with the majority view: the blue…

Read More

help me choose buttons

Hello! Today I’m putting the finishing touches to a new cardigan which (all being well) I’ll be able to show you on Friday. I have spent the past hour or so poking around the button box . . . with some success, and a wee bit of frustration. I fear my button-vision may no longer…

Read More