Panel 140: Cumbernauld Well, this is my final post on the Great Tapestry of Scotland! I have really enjoyed revisiting my photographs, and thinking more about the tapestry, and your comments have also provided much food for thought. These photographs are, of course only snippets, and you’ll find much more thorough information in the two…
Read MorePanel 94: Hill and Adamson The silver herrings and striped petticoats of the Newhaven fisherwoman. In the comments on yesterday’s post, Heather linked to an interesting take on the “when is a tapestry not a tapestry” question from a tapestry weaver who strongly objects to the misappropriation of the term in reference to non-woven textiles.…
Read MoreThere have been some interesting questions in the comments on my previous posts about the Great Scottish Tapestry. Elaine and Deborah asked what materials had been used in the creation of the tapestry – well, the stitchers used Peter Grieg linen and Appletons crewel wool throughout. Terry asked why it was called a tapestry at…
Read MoreSome more details of the Great Tapestry of Scotland for you this morning. You’ll find the first post in the series here. Panel 25: Duns Scotus. The feet of Duns Scotus, the medieval philosopher for whom we have to thank for the concept of Haecceity Panel 26: Somerled, first Lord of the Isles A beautiful…
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KDD & Co 