Award-winning Scottish publishing and design
This week’s West Highland Way club design is Stronachlachar – a loose-fitting tee, with, sinuous twisted stitches. The simple cables which twist over the surface of this design have a very direct inspiration in my local built environment, specifically the pipelines and waterworks of the Loch Katrine scheme, which runs from Stronachlachar all the way…
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We were in Ireland last week, to see our new tweed yarn being spun by our friends at Donegal Yarns (much more of which soon!). It’s been a while since we were in Ireland, and it was lovely to revisit a few of our favourite spots, including Malin Head. It has changed a wee bit…
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Over the years I’ve gathered a small collection of knitting ephemera. This includes a few different styles of the eighteenth- and nineteenth-century sticks, wisps and sheaths (used throughout Britain for supported knitting) and different kinds of representations–largely photographs or prints–of knitting all over Britain. Such representations do not afford some sort of transparent window onto…
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I wanted to say a little more about working on our Islay book. This a project which from the beginning has meant a great deal to me, perhaps because it emerged from a very personal place: the place in which Tom and I were married. The project began as the context for two designs I’d…
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If you’ve read my introduction to The Book of Haps then you’ll already have come across Helen Robertson – a Shetland artist and craftswoman whose work I deeply admire. Working with silver wire and other precious materials, Helen has developed a uniquely thoughtful aesthetic which celebrates, commemorates and reflects upon Shetland’s history and heritage –…
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Are you going to Shetland Wool Week this year? If so, can I strongly suggest you set aside a day in your itinerary for a trip to the wonderful island of Whalsay?. The Whalsay Heritage Centre is currently hosting an exhibition of the island’s fair isle knitting that will, I assure you, really blow your…
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Years ago, I wrote the occasional piece for Selvedge. I pitched a few ideas to them for short features which combined the history of knitted textiles with some account of how they were actually made, but was told that any sort of technical instruction was verboten “we aren’t interested in how-tos.” But why not, I…
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Over the past few months, while working on the project that has now become The Book of Haps, I’ve examined countless images of wrappable textiles. I’ve encountered many ways to wear such textiles, and also reflected on the many different contexts for their wearing. Some of these groups of images were very useful for me,…
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Wow, everyone! Thankyou so very much for your comments and emails in response to my last post. I’ve been really overwhelmed (and very moved) to read the diverse experiences of so many people who have knit that pattern, or had it knitted for them. Reading all your messages reminds me just how much I love…
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As discussed in the previous post, this design is inspired by an early nineteenth-century shawl, collected by Rachel Kay Shuttleworth, and now part of Gawthorpe Textile Collection. The colourful, ribbon-like bands of the shawl immediately reminded me of one of my favourite colourwork motifs, a small, simple pattern which resembles an interlocking vine. The pattern…
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You may remember that, a couple of years ago, I was involved with a project to create a design inspired by the wonderful textile collections at Gawthorpe Hall. I designed the Richard the Roundhead tam, inspired by a crewel-work coverlet that Rachel Kay Shuttleworth had embroidered over several decades, in memory of her parliamentarian ancestor,…
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The other day Brenda, my lovely neighbour, appeared with a piece of paper in her hand, a gift for me. When I unfolded it, the piece of paper turned out to be a rather interesting and very beautiful hand-painted floral design, which I could immediately tell was some sort of pattern repeat. But what sort…
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