Award-winning Scottish publishing and design
You may remember that last year at KDD, we celebrated International Women’s Day by designing and knitting a commemorative blanket together with our good friend, Felicity Ford. Celebrating 30 diverse creative women, our blanket was created with the central aim of using our crafty skills to educate each other about the many different ways in…
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In the spring of 2018, after a hard winter in which I’d been struggling with my depression, I spent some time in Berneray and North Uist. You can get a sense of how much I immediately loved the place, and how very much I enjoyed meeting Meg Rodger and learning more about her work –…
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(top illustration: William Simpson, An Indigo Factory in Bengal (1863) I am currently completing a design project using yarn that has been dyed with natural indigo by my friends at Shilasdair. As I’ve knitted, I’ve often found myself thinking about the links between Scotland and natural indigo dye. Indigo isn’t, of course, a Scottish plant…
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Hello, it’s Tom here. In today’s People Make Glasgow post I’d like to introduce the McCune Smith Cafe and Dr. James McCune Smith, the important 19th Century African-American abolitionist, physician, educator and intellectual, after whom the cafe is named. Glasgow’s remarkable nineteenth-century growth was due to imperial trade. That Glasgow was built on tobacco and…
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This week’s West Highland Way club design is Stronachlachar – a loose-fitting tee, with, sinuous twisted stitches. The simple cables which twist over the surface of this design have a very direct inspiration in my local built environment, specifically the pipelines and waterworks of the Loch Katrine scheme, which runs from Stronachlachar all the way…
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We were in Ireland last week, to see our new tweed yarn being spun by our friends at Donegal Yarns (much more of which soon!). It’s been a while since we were in Ireland, and it was lovely to revisit a few of our favourite spots, including Malin Head. It has changed a wee bit…
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Over the years I’ve gathered a small collection of knitting ephemera. This includes a few different styles of the eighteenth- and nineteenth-century sticks, wisps and sheaths (used throughout Britain for supported knitting) and different kinds of representations–largely photographs or prints–of knitting all over Britain. Such representations do not afford some sort of transparent window onto…
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I wanted to say a little more about working on our Islay book. This a project which from the beginning has meant a great deal to me, perhaps because it emerged from a very personal place: the place in which Tom and I were married. The project began as the context for two designs I’d…
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If you’ve read my introduction to The Book of Haps then you’ll already have come across Helen Robertson – a Shetland artist and craftswoman whose work I deeply admire. Working with silver wire and other precious materials, Helen has developed a uniquely thoughtful aesthetic which celebrates, commemorates and reflects upon Shetland’s history and heritage –…
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Are you going to Shetland Wool Week this year? If so, can I strongly suggest you set aside a day in your itinerary for a trip to the wonderful island of Whalsay?. The Whalsay Heritage Centre is currently hosting an exhibition of the island’s fair isle knitting that will, I assure you, really blow your…
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Years ago, I wrote the occasional piece for Selvedge. I pitched a few ideas to them for short features which combined the history of knitted textiles with some account of how they were actually made, but was told that any sort of technical instruction was verboten “we aren’t interested in how-tos.” But why not, I…
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Over the past few months, while working on the project that has now become The Book of Haps, I’ve examined countless images of wrappable textiles. I’ve encountered many ways to wear such textiles, and also reflected on the many different contexts for their wearing. Some of these groups of images were very useful for me,…
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