creature feature

some of the thinking behind the making

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¿Quieres bailar?

Are ye dancin?

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behind the mask

accepting that not everything works out is key to the (slow) creative process

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work in progress

A creative collaboration celebrating performance, parody and play

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mend

We celebrate the new edition of Wheesht with this essay exploring the creative work of mending and Celia Pym’s inspiring practice

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zwiebelmuster

Nicole Wagler tells us about eighteenth-century porcelain and her sense of place in Meissen

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make / mend: Collingwood-Norris

Kate talks to Flora Collingwood-Norris about mending, Scottish islands, and how colour makes you feel

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making time

We were able to put quite a few things in the KDD shop last week, including our brand new 10 Years in the Making book. The book is now available for wholesale too, so if you are a bookshop or yarn store (or know a bookshop or yarn store) who would like to stock this…

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my McRostie forever bag

Today we released the Evendoon Cardigan – the third pattern in our 10 Years in the Making Club (come and join us for three months of knitting fun!) I really enjoyed styling this cardigan with my beautiful Mull Bag, which was made for me a wee while ago by Colin Campbell of McRostie: one of…

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Glasgow’s atelier economy: then and now

Today I thought I’d share with you the introductory words I wrote for People MAKE Glasgow . For me – a former eighteenth-century specialist – the connections between Glasgow’s eighteenth-century past and its twenty-first century present have always been apparent, and I really enjoyed having the opportunity to write about those connections here. People MAKE…

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ReJean Denim

One of the things I’ve been really struck by, as I reach the end of the process of writing our People Make Glasgow book, is just how many thriving enterprises in this city are led by brilliant young women. I’ve found learning more about the innovative work of makers, artist and designers like Rachel E…

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dressing up . . . 1970s style

I’ve been suffering with a migraine, and am still feeling very ropey, so thought I’d just follow on from yesterday’s post about masks and performance, with a few images (and words) about my childhood – in which costume and dressing up played a significant role – and which Pilar is now drawing on in the…

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the mask’s on you

Jaguar and Tiger, Chilapa, 2017. Phyllis Galembo, Mexico: Masks, Rituals (2019) This is the fourth in my series of posts about my participation in an Applied Arts Scotland / British Council Crafting Futures residency, the work I’m developing as a consequence, and the impact of the project on my own practice. You can read parts…

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crafting futures: a residency of things

Preparing for the Crafting Futures residency reminded me of being a teenager going on “exchange.” One’s bag would always include some representative souvenirs for the family one was visiting: a tin of biscuits or confectionery, a small book about one’s local area. I wanted to bring gifts for my compatriots on the Crafting Futures residency…

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