mend

We celebrate the new edition of Wheesht with this essay exploring the creative work of mending and Celia Pym’s inspiring practice

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sun prints

Here’s a moment of reflection, for these quiet, early days of the new year, with a guest post from my good friend Anne Whitehead. Anne found herself beginning a new experimental creative project in the early spring of 2020, and like many makers, discovered that this project came to tell its own story of a…

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Great Tapestry of Scotland 93-123

Panel 94: Hill and Adamson The silver herrings and striped petticoats of the Newhaven fisherwoman. In the comments on yesterday’s post, Heather linked to an interesting take on the “when is a tapestry not a tapestry” question from a tapestry weaver who strongly objects to the misappropriation of the term in reference to non-woven textiles.…

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Great Tapestry of Scotland 60 – 92

There have been some interesting questions in the comments on my previous posts about the Great Scottish Tapestry. Elaine and Deborah asked what materials had been used in the creation of the tapestry – well, the stitchers used Peter Grieg linen and Appletons crewel wool throughout. Terry asked why it was called a tapestry at…

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