the money of colour

What might it mean to own a colour?

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fugitive colour

finding a place of joy and questioning

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Knitting an anti-surveillance jumper

A brilliantly innovative combination of the material and the digital

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All dressed in yellow

how our attitudes to colour are bound up with the stories we tell ourselves

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Pollphail

a ghost village, a cardigan, embroidery

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picturing Inveraray

looking at a made place

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meet, make, collaborate

creative, collective and protective acts of making

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the Carbeth creature goes north

The Carbeth creature takes a trip to Banchory

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sock of the week no.1

Philippe Mercier’s popular portrait of an eighteenth-century stocking knitter

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¿Quieres bailar?

Are ye dancin?

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behind the mask

accepting that not everything works out is key to the (slow) creative process

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Winter’s End

Bonnie Sennot finds inspiration at Winter’s End.

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mend

We celebrate the new edition of Wheesht with this essay exploring the creative work of mending and Celia Pym’s inspiring practice

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In conversation with Jacob Heringman

Hello everyone, it’s Tom here. Today, I’d like to tell you about my collaboration with talented lutenist Jacob Heringman and how one of my “waterscape” images came to be on the cover of his new album Inviolata. An interesting development in contemporary photography has been the use of abstraction to distill a scene down to…

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keeping shop

As part of my research for the introduction to our People Make Glasgow book, I’ve been doing some highly enjoyable work poking about the city’s eighteenth and nineteenth-century post office directories, which provide intriguing lists of Glasgow’s merchants, manufacturing and retail businesses (much like the yellow pages). Looking at these directories across a century or…

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