a chat with Misa Hay

There is no getting away from the fact that, whatever business you are in, this year has been a very weird one. Having to change the nature and direction of what you are doing – often very rapidly – is never an easy thing, and this year there have been so many of those changes.…

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the mask’s on you

Jaguar and Tiger, Chilapa, 2017. Phyllis Galembo, Mexico: Masks, Rituals (2019) This is the fifth in my series of posts about my participation in an Applied Arts Scotland / British Council Crafting Futures residency, the work I’m developing as a consequence, and the impact of the project on my own practice. You can read parts…

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Great Tapestry of Scotland 1-23

On Sunday I finally got to see the Great Tapestry of Scotland. I was completely blown away by the vision of Alistair Moffat (who produced the tapestry’s historical content and context), Andrew Crummy (the superb artist who designed these 160 panels) and perhaps especially by the skill and beauty of the work of the thousand…

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