¿Quieres bailar?

Are ye dancin?

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behind the mask

accepting that not everything works out is key to the (slow) creative process

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the mask’s on you

Jaguar and Tiger, Chilapa, 2017. Phyllis Galembo, Mexico: Masks, Rituals (2019) This is the fourth in my series of posts about my participation in an Applied Arts Scotland / British Council Crafting Futures residency, the work I’m developing as a consequence, and the impact of the project on my own practice. You can read parts…

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crafting futures: a residency of things

Preparing for the Crafting Futures residency reminded me of being a teenager going on “exchange.” One’s bag would always include some representative souvenirs for the family one was visiting: a tin of biscuits or confectionery, a small book about one’s local area. I wanted to bring gifts for my compatriots on the Crafting Futures residency…

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Crafting Futures: at Braemar

This is the second in my series of posts about the Applied Arts Scotland / British Council residency I took part in last September, and the collaborative work I’m now developing as a result. After leaving Lewis, and returning to the mainland, our group met up with superlatively creative and enabling Lynne Hocking-Mennie, and with…

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