Float in the wind, flicker in the breeze

Hello! It’s Michelle here. Today I’d like to share some words and images about suffrage spectacle and visual identity, a topic that recently came back to my mind through Kate’s writing in her Wheesht essay ‘Elevate’ on Ann Macbeth’s collaborative suffrage quilt. Anne Macbeth’s suffrage quilt as a suffrage banner. © Museum of London The…

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cherry cheer

Good morning, and happy Friday, everyone. Thanks so much for your comments on yesterday’s post. I’d especially like to thank Vivienne Richmond, who kindly shared the booklet that accompanies the exhibition she curated about the darning and needlework collections of Whitelands College. Like many samplers, those in Vivienne’s exhibition originate in the classroom – eighteenth-…

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mending inspiration

Yesterday afternoon I took a break from grading a cardigan (a task that makes my eyes spin round) and spent a happy hour (as I often do) poking about the Rijksmuseum – which is one of those wonderful institutions who have digitised and made publicly available large portions of their collection. If you have an…

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a coat for falling

Good morning! Are there garments in your wardrobes from which a particular event or association is difficult to shake? I have friends, for example, who after wearing a certain dress at a funeral, have found that putting it on again becomes difficult. I’m a particularly garment-attached person, and there’s perhaps no garment to which I’m…

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mittens for the absent-minded

When you were a kid, did you wear your mittens and gloves on bands or strings threaded through your coat sleeves to keep them safe? I did, and have very vivid recollections of disliking the practice as I grew older, for seeming childish. My grandma knitted all my gloves and mittens, and if keeping them…

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Udal

In the spring of 2018, after a hard winter in which I’d been struggling with my depression, I spent some time in Berneray and North Uist. You can get a sense of how much I immediately loved the place, and how very much I enjoyed meeting Meg Rodger and learning more about her work –…

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Duntreath

I’m so pleased to be able to introduce you to Duntreath! After we successfully launched our lambswool snoods last year, I really wanted to develop a line of garments. Having researched and written a book all about the history of yoke sweaters, I knew I wanted to make yokes, and I also knew who I…

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Hush

Have you ever visited Cowal? Bound by Loch Fyne on the west and the Firth of Clyde to the east, this peninsula extends, through a rolling landscape of hilly peaks, forestry, and sheltered coves, down to the Kyles of Bute. The minute you turn south of the A83, you realise why the area is often…

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making stuff (at Lockies)

One thing you can say about knitting: it really makes you think about the many different processes that producing textiles involve. For example, prior to becoming an obsessive knitter, I had never really considered blocking a woollen garment (with water or with steam) . . . . . . nor had I understood what a…

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Jenny Jones

Over the years I’ve gathered a small collection of knitting ephemera. This includes a few different styles of the eighteenth- and nineteenth-century sticks, wisps and sheaths (used throughout Britain for supported knitting) and different kinds of representations–largely photographs or prints–of knitting all over Britain. Such representations do not afford some sort of transparent window onto…

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working hands

I’ve recently been writing about teaching my left hand to work again following my stroke. Because of this, I’ve been thinking very carefully about braiding hair, and knitting socks, about how it felt, and what it meant to re-instruct my hand (whose memory of habitual movement had been completely lost) in those activities. I’ve also…

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Jane Hunter

Yesterday Tom and I took a drive down the road to West Kilbride. Known as Craft Town Scotland, the thriving main street hosts the studios of talented local artists, designers and craftspeople, such as my friends and compatriots Lillith (Old Maiden Aunt) and Ange (Weftblown). Jane Hunter’s studio is there too, and this was the…

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