Award-winning Scottish publishing and design
I’m really excited to reveal something which has been a long time in development and of which all of us at KDD are really proud – Coracle. Before I became a manufacturer of yarn and knitwear I was a consumer of both these things. And, as a consumer, I often found myself deeply troubled by…
Read More
I’m very excited to reveal a wonderful new shade of Milarrochy Tweed yarn.
Introducing Cowslip.
Read More
Back in the spring, I knew my ten year owliversary was coming up, so I decided to knit myself a new owl sweater. These photographs were taken while we were in Berneray, back in May. It’s quite weird seeing myself with my ‘old’ hair – I suppose that must mean I’m now completely used to…
Read More
As my business has grown over the past few years I have learned a lot about making things locally. Working with Scottish, Irish, and English producers, I’ve made my own books, and yarn, and knitwear. I’ve collaborated with many different types of manufacturers, from printers and spinners to dyers and wool producers. Being able to…
Read More
When you get involved in manufacturing yarn for hand knitters, one of the first things you learn about is just how bloody difficult it is just to get some elements of wool production done. I’m talking about the messy, dirty, non-glamorous things; the things like wool sorting, grading, and scouring (washing) or things that involve…
Read More
One of the many things I really like about the communities and cultures of crofting is their distinctive effect on the way people work. What I mean is this: in towns and cities, jobs tend to become more and more specialised, people do what they do within smaller and smaller categories, individual work occurs in…
Read More
Hello – it’s Tom here – for a change. Kate is busy working on her Islay project, and I’m taking a break today from shipping out orders. I wanted to say thanks so much for your interest in our Shetland Oo book. Apart from being my first major project as a photographer, Oo is the…
Read More
One of the best things about working in the field of hand-knit design is that it really is an industry which abounds with good eggs. In my view, two of the very best eggs around are Gudrun Johnston and Mary-Jane Mucklestone: great friends, talented designers, and Shetland enthusiasts. Gudrun spent her early years in Shetland,…
Read More
My good friend Felicity Ford (aka Felix) is as enthusiastic as I am about Shetland and its wool industry. In 2013 (when she was patron of Shetland Wool Week) Felix worked on a number of field recordings for her important project, Listening to Shetland Wool. From the baas of lambs caught on the breeze, to…
Read More
Shetland abounds with wonderful creative spaces, but surely one of the most inspiring has to be the charity that Andy Ross has established, nurtured, and developed in Yell. From its beginnings as an organisation focused on music and music teaching, GlobalYell expanded its focus a decade ago to textiles, and to weaving in particular. Over…
Read More
One of the really fascinating aspects about our Shetland Oo project has been finding out more about what motivates Shetlanders who work with wool, and what really makes them tick, both personally and politically (because yes, in so many ways wool is political). Ronnie Eunson and Sue White of Uradale farm, near Scalloway, are particularly…
Read More
As part of our work researching and documenting Shetland Oo, this past August, Tom and I met Natalie Cairns-Ratter of the Shetland Tannery. I’d acquired several of Natalie’s beautiful sheepskins on earlier Shetland visits, and was intrigued to learn more about the tanning process, and how her company came about. Small-scale tanning was previously a…
Read More